A Bow to Gesture Drawing
By LIZ HAGER
John Singer Sargent, Sketch of a Spanish Dancer, 1879
Pencil on paper, 11 1/2 x 9 “
(Gardner Museum, Boston)
If you must, blame this afternoon’s post-ette (pitifully short by normal VR standards) on Diane Olivier, who is keeping me busy figure drawing in my sketchbook during the hours I’m not in her class. Diane is a teacher of the best kind—enthusiastic, relentless, inspirational, entertaining, and just plain over the top about drawing. (No painting for Diane; drawing is what she does.) I have no doubt that she will push me to miraculous places, if I let her.
In a few short weeks, Diane has taught me much about seeing beyond a pose to the essence of a gesture. And, as Sargent so skillfully demonstrates in his Sketch of a Spanish Dancer, the effect of a gestural drawing can go beyond the visual to penetrate our other senses. In the great whoosh of his pencil around the page, I feel the flamenco dance. In those few frenzied lines, I hear the quirky rhythm of the palo, the staccatto of the dancer’s feet, the clip-clip of the castanets.
In that bow, Sargent has captured the whole experience of her performance. Bravo!